In 2018, TV Needs to Take a Cue From ‘SMILF’ and Embrace Smallness

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In the final moments of SMILF’s debut episode, its strapped-for-cash, do-anything heroine Bridgette auditions for a small role in a PSA about post-traumatic stress disorder among veterans. Curious as to how she staged such a tear-inducing performance, she casually tells the director, “I was sexually abused by my dad, which also causes PTSD. So I …

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